Page 1 of 6 • 110 total movies

Kerala, with its lush landscapes, has seen many migrate abroad for work, creating local labor shortages filled by distant migrants. These workers endure isolation, discrimination and uncertainty, often overlooked beyond their labour. Yet, amid struggle, they forge bonds, share stories, and discover solace in fleeting joys.

A process of self-purification through the removal of sludge and rocks from a well, symbolizing a quest for clarity and connection to the natural world. The project explores themes of healing and grace, suggesting that nature, like people, is capable of forgiveness and restoration.

An indulgent little dive into the world of Ilaiya Punks. After a bit of time, Ilaiya Punks gather around to eat what S.G cooks da best as far as they know. The Kongu naatu Chicken Curry! aka Arachioothuna Kuzhambu! And what better way to remember than to film the time of some young punks just punkin' around a space named Chennai, Tamil Nadu, India.

A documentary revealing the Kurukkalmadam Massacre and the abductions of travellers on roads to and from Kattankudy during the civil war in Sri Lanka.

A nostalgic short documentary capturing heartfelt memories of people recalling their very first experience watching a film in a theatre. Each voice shares a personal story of wonder, excitement, and the timeless magic of cinema.

Set against the vibrant backdrop of Kerala's legendary School Kalolsavam, this film is a heartfelt exploration of memory, identity, and tradition.

Babasaheb Ambedkar visited Karnataka on several occasions. But his each visits had a purpose and consequence. This film records each of his visit in context and provides a historical perspective of his journey

This brief biopic traces the incredible musical journey of C Ashwath - the king of Kannada light music. The story unfolds through the rich anecdotes of Sriyuths TS Nagabharana, HS Venkateshamurthy, TN Seetaram, Muddukrishna, BR Lakshman Rao, Smt. BK Sumitra, MD Pallavi and the singer's wife - Chandra Ashwath. Excerpts from his concerts bring out the evergreen melodies that he composed and sang.

A short documentary on a grandson returning home to visit his aging grandmother who was crying to see him on the phone.

A short documentary that shows a day of washermen life at dhobi ghana....

Captured during the early days of production, this unreleased film offers a glimpse into its rehearsal sessions — an intimate icebreaking moment where the cast come together through song and rhythmic clapping.

An in-depth look at the making of S.S. Rajamouli's magnum opus, RRR, with behind-the-scenes footage and exclusive interviews. Explores the vision, challenges, and dedication involved in creating this cinematic phenomenon.

A group of students aged between 18 to 25 shares their opinion on the first thing they want to change in their country if they get the power to do so.

First chapter in the chronicles of a 231-year-old vampire in his journey with his fellow vampires.

“Black Gold” is a visually striking film directed by a Japanese filmmaker, blending a minimalist aesthetic with the natural beauty of rural India – a true visual feast for cinephiles. Every detail is crafted with precision, reflecting a uniquely Japanese perspective.

This film delves into the ordinary existence of a dhobi community who were enslaved by the Dutch during the Colonial Era. Told through the journeys of four central characters, the film paints a vivid portrait of their remarkable stories, depicting both their trials and triumphs, as well as their unwavering spirit of resistance and endurance.

This hybrid personal essay ventures into the depths of the country which the filmmaker's grandparents left 80 years ago in one of the colonialist-driven waves of migration. Searching for memories and associations, he wanders through the abandoned city, trying to connect with the imagery and thought of his ancestors and looking inside his own perception, reflecting on the traces of inspiration and the spirit of the places he explores.

Displaced from the forest and relocated into modern society, the indigenous Kurubas of Coorg reclaim notions of sex, sexuality, and morality during Kunde Namme (The Arse Fes- tival) – a subversive festival filled with surreal sights and sounds.

In the beach of Pondicherry , there were two break ups. One for the Sand castle and One for the Old pier bridge.

In the aftermath of the Sri Lankan civil war, which began in 1983 and ended in 2009, five women collaborate with a team of theatre practitioners and academic researchers, sharing the horrific violence they endured during the conflict as part of a process of recovery.