Hollywood South Indian Comedy Movies

A tender coming-of-age story about love, uncertainty, and the quiet moments that change everything. As one girl begins to question the life she thought she wanted, she finds herself drawn toward a connection that challenges her past and opens the door to a new kind of future.

A woman obsessed with the color yellow bleaches her eyebrows.

Xipai Tamaweng, who lives in Laos, makes a living by running a grocery store. He also has another special identity - a storyteller. Xipai often goes to a small theater after work to tell tourists about the ancient legends of Laos. When he learned that an elderly storyteller had passed away, Xipai felt that this field was facing an unprecedented crisis, so he went to a remote village and used paper and pen to record the stories preserved by many storytellers. This film interweaves interesting ancient legends in the storyteller's journey of exploration, immersing the audience in the mysterious folk myths. Faced with the impact of digital media and the loneliness of oral traditions, the film records a race against time and also records the national memory that is about to be forgotten.

On her 25th birthday, a biracial Navajo-Bengali woman hopes for a quiet celebration until her two aunties arrive unannounced igniting a chaotic bread-making battle that forces her to confront culture, family, and the recipe for belonging.

A girl on the verge of a nervous breakdown waits for her ex-girlfriend at Red Beach.

In preparation for his first major retrospective at the Oklahoma Contemporary in 2025, Hock E Aye Vi Edgar Heap of Birds reveals thoughts, formal approaches, and philosophies toward various works, including the oral history details behind his new wall installation work, Family, that continues his practice of 'primary' and 'ghost' printing.

Jan Jaap van der Wal has been living in Antwerp for years. He has a soft spot for the flat lands of Flanders. His flat land. He feels at home there and does his work there. In the theater and on TV. But when he stands on top of the cathedral, and the weather is clear, he can see the Netherlands in the distance. Also a flat land. Also his. A country that keeps calling to him. And so, Jan Jaap returns to the Dutch theaters. With the perspective of an outsider. Who sees things just a bit differently.

A man worn down by the stress of adult life begins to drift back into memories of his childhood—and unexpectedly finds himself reliving its most beautiful, forgotten moments.

Rafael returns to his hometown after years away and finds a family immersed in tension, silence and old superstitions. His father, once authoritarian, now weakened, and his grandmother, a mystical figure in the village, represent a world where fear and popular beliefs shape everyday life. While trying to maintain reason in an environment marked by rituals, superstitions and disturbing coincidences, Rafael confronts the past and the possibility that the unusual may be more real than he imagines. Between family drama and dark humor, Crendices is a rural satire where the absurd intersects with everyday life, and where a simple superstition can unleash chaos.

A young adult with a troubled history with alcohol meets his friends for a quiet night in, but their poor influence on each other coupled with growing intoxication leads to a night out of anyone's control.

As Ricky struggles to get out of the loop, he must also fight oppositions and leave himself clues in hopes that he eventually escapes

Patrick Oliphant was a giant slayer, bravely taking on presidents, popes and the American corporate class with his mighty pen. An Australian transplant, Oliphant became America's most renowned and feared political cartoonist for five decades. With his biting wit and masterful drawing skills, Oliphant attacked individual and institutional corruption, collusion, greed, hypocrisy and arrogance, no matter the size or status of his targets.

Students from the Washington Urban Debate League navigate the challenges of daily life while striving for excellence in competitive debate. Beginning at an annual summer debate camp during the final days of the COVID pandemic, the film follows a group of dedicated young debaters. They immerse themselves in research, critical thinking, teamwork, and performance, hoping these skills will not only help them win tournaments but also overcome the obstacles standing between them and their full potential.

After a recent episode of self-harm landed Ava in the hospital, she is forced to stay with her sister Gillian. Gillian imposes strict rules, including locking away all sharp objects, to keep Ava safe. When Ava finds their late mother’s sewing things in the basement, she becomes obsessed with making a dress. Gillian, exhausted from juggling a corporate job and caregiving, tries to focus Ava’s attention on healing instead of hobbies – but her efforts to control Ava only deepen the rift between them. As Ava’s dress takes shape, so does her sense of autonomy, challenging Gillian’s idea of what recovery should look like. The tension escalates when an argument over therapy turns physical, leading to a moment of violence neither sister intended. But in the aftermath, the sisters begin to glimpse a different way forward – messy, uncertain, and stitched with care.

These are the funny, crazy, or surreal stories of those who make art and those who buy it, amid canvases, giant ready-made artworks, and performance art moments traded for a sum of money written on a piece of paper. But where is the line between art and commerce? And what does the public gain from all this?

As a boy, the director was sure about it: his uncle Massimo and Lucio Dalla were the same person. In the film he explores that impossible similarity, complicated and remarkable, which helped him understand his uncle’s disability. As he observes his daily life, Lucio Dalla comes back, singing of loneliness, anger, and freedom.